By Michael McDowell
1979 Avon
Paperback, 340 pages
It was high time that I delved
into the work of Michael McDowell (1950-1999). Of course, I know Tim Burton’s
film Beetlejuice (1988) for which McDowell wrote the story and
screenplay, and Burton’s Nightmare Before Christmas for which he adapted
the screenplay, but I hadn’t read his books. I’m glad that I finally got around
to it because this one, his debut novel, is great.
Pine Cone, Alabama in the
mid-Sixties is a slow moving, quiet town with a rigid class system and
segregation. It’s only source of work is a munitions factory. Sarah Howell
works there. Her husband Dean is drafted but is sent back home after a tragic
accident with a gun made at that very factory. He is a bandage-wrapped vegetable
who is kept company by his mother Jo, a loathsome bitch if there ever was one.
This makes Sarah’s dull life even more miserable as she has to keep house for
the three of them after a full day at the factory. Then, Jo gives an amulet to
one of Dean’s visiting friends to give to his wife. Thus starts the horror.
The amulet passes through a lot
of hands in Pine Cone, from poor to rich, from white to black, from guilty to
innocent. Everyone who has it in their possession dies in a violent and hideous
manner. (My guess is that the Final Destination creators might have read
this book.) You get houses burnings, ceiling fan decaps, a woman eaten by pigs,
scalpings, suicides, babies in washing machines and all sundry of beautiful
gore and grue. Sarah tries to figure out if the amulet is the cause and drags
her friend Becca on her investigation, but nobody believes her preposterous
story.
Man, this book really made me
turn the pages. Short chapters, thorough (but never boring) descriptions and
authentic characters really put me into southern Alabama in the Sixties. Of
course, still being segregated, the black population is “colored” but the
characters are treated no different than the whites. There is some fat-shaming
(Jo’s wickedness has a lot more with her nasty disposition than her weight) but
overall, this is Sarah’s story and she is someone with whom I really felt in
touch. Of course, most characters are there for the kill and you should know by
now how much I love they get the old “set ‘em up, knock ‘em down” treatment. We
get a huge body count in this one! And that cover by Don Ivan Punchatz is
amazing!
McDowell was a gifted writer and
this is the first time for me that a
book has dialog with a Southern dialect that isn’t impossible to understand. No
easy feat. Having just ended a job working for a jeweler for over 35 years, this
might have been a “right place at the right time” read but I thought it was
excellent and am already filling my TBR pile with more of McDowall’s books.

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