Roadkill Girls
By John Monsees
2025 Grindhouse Horror
Paperback and Kindle, 132 pages

It’s not every day that I get a review copy of a book but I’m honored to have received the first book from Grindhouse Horror. I know John Monsees primarily as an illustrator but his move into writing is a lucky thing for lovers of pulp horror. He gets it, he’s good at it, he understands what readers want, and he delivers it in a big way.
Jinx. Spider. Viper. Roxy. Four women on motorcycles, fleeing from the police after a bungled robbery leaves a dead body. The desert roads offer them no respite so they go way offroad, lose the pigs and find themselves at a diner in the middle of nowhere. But the people running the diner are cannibals! They soon learn that their problems are just beginning. There is something else there. Something monstrous. Something underground. Something that wants to eat them.
That’s right, things pile up for our anti-heroes quickly. We want the kitchen sink and Monsees gives it to us. The characters are beautifully developed; Jinx is the small gang’s leader, an ex-con and the one with the most level head, though she’s feeling she is in over that level head. Spider is an ex-military tech specialist, also a convict, and has the ability to work gadgets to the gang’s advantage. Viper is nuts, no worries about her own life or death and is responsible for the murder that put them into hot water. Roxy is just a kid; 18 years old and running away from an abusive home, joining the others and feeling like she has her first real family. I developed a lot of feelings for these badass women in the short running time of this book.
Of course, we’re here for the pulp sleaze and Monsees lays the gore on thick with slicing, dicing and biting, from both a drug-addled Viper and the massive underground worms that are the ultimate challenge for the gang. The worms are part Tremors (Ron Underwood, 1990) and also they reminded me of the annelids in Peter Tremayne’s hard to find book The Morgow Rises (Sphere, 1982). They’re tough to kill but easy to be killed by. But Monsees offers far more than a gorefest. As mentioned, the main characters aren’t just fodder. When anything happens to them, we care.
There are also plenty of brilliant, Raymond Chadler-esque passages that made me stop reading and go back to reread and admire the line. This novel wasn’t just banged out; it was lovingly created. Not everything is perfect (two Harleys and two Kawasakis become four Harleys later on and they evidently got a fill-up at the diner, but I didn’t read it) but this is a highly recommended debut. I’d be a hypocrite if I didn’t mention the cover. It is tweaked Artificial Intelligence and I promised myself that I’d never promote something (book, movie or record) using AI, but it’s not an egregious use of it (like that shitty, shiny, cartoony garbage) and Monsees only takes the illustration gig away from himself, so I’ll turn the other cheek here. This review copy also includes a sneak peek at Monsees’ next release, a “shameless love letter to Guy N. Smith” and yes, it will be crabs. I am beyond excited for that one!
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